faith. trust. & pixie dust.

I'M A 23 YEAR OLD DREAMER. I ENJOY ART, MUSIC, FOOD, & FASHION. I'M SHY, WITTY, & A LITTLE REBELLIOUS. I HAVE A THING FOR SUPER HEROES, VAMPIRES, & THE OCCASIONAL ANIMATED CHARACTER. I LIKE TATTOOS, LIPSTICK, & SKELETONS. I LOVE PETER PAN & MARK FOSTER. I HAVE WAY TOO MANY OBSESSIONS. ENJOY♥

I’d be his, if he asked.

Six Word Story (via thechaosofmyhead)

(Source: allineedissix, via goddessofgrunge222)

(Source: wishingskiesofbllue, via paledase)

(Source: x-lucymae-x, via leathertoaster)

I can’t catch a break with dudes. The ones I want are either not interested or unavailable. Sheesh.

(via paledase)

(Source: leecas)

1 month ago - 3844

I miss the cuddling.

“I’m the one that’s got to die when it’s time for me to die, so let me live my life the way I want to.”  - Jimi Hendrix

(Source: babeimgonnaleaveu, via c-linic)

(Source: e-pi-de-mic, via o--r--g--a--s--m)

(via anamarithza)

softgore:


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

(Source: andrewfishman, via fleshy-flower)